For the first time, the calligraphic Ijaza style was used as a model for designing the Arabic cursive. Regarding the Arabic part, they write: The main highlight for Palsam was the cursive companion. This rounded sans typeface covers Latin and Arabic and was co-designed by Ali Almasri and Alja Herlah. The style is influenced by the combination of Slovenian avant-garde with some recognizable forms that are known for Slovenian typography. Alja writes: Univerza Sans was developed to mark the hundredth anniversery of University of Ljubljana. Univerza is not a take on Frutiger-it is Slovenian for "university". A cursive slab serif heavily inktrapped typeface designed at TipoBrda 2015. Developed during the 2014 Tipobrda workshop mentored by Domen Fras and Lucija Bratus. Slovenian type designer, who co-founded Type Salon together with Krista Likar in Ljubljana in 2020. Graphic designer and illustrator in Maribor, Slovenia, who created the modular typeface AE in 2014. Ĭreator of Leprechaun (2011) during TipoBrda 2011, a type design workshop held in Slovenia. She also made the display font Pikant (2014).
Ljubljana, Slovenia-based of a great compass-and-ruler roman caps alpahbet (2014), which was finished during her studies at the Academy of Fine Arts in Ljubljana (ALUO). AT TDC47 in 2001, a group of five students (Jure Engelsberger, Martina Gobec, Tomato Kosir, Ziva Moskric and Mina Zabnikar) received a Certificate of Typographic Excellence. One can study typography in the Department of Design here. Type workshop to be held in Ljubljana, Slovenia, from 20-25 February, 2017. TYPE DESIGN INFORMATION PAGE last updated onĪt the 30th Tipo Brda type workshop in Slovenia, these typefaces were designed:ģ1st Tipo Brda Winter Workshop Type Days 2017
0 kommentar(er)
